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Last event date: Tuesday, May 13 2025 8:00PM
Featuring:
Árpád Dennert – alto saxophone
Áron Komjáti – guitar
József Barcza Horváth – double bass
László Csízi – drums
This album has been overshadowed by an even more legendary recording, but it has a lot of beauty. Saxophonist Paul Desmond is the only member of the Dave Brubeck Quartet, apart from the bandleader, to become a big name outside that quartet. Desmond recorded the album Time Out with the Dave Brubeck Quartet in August 1959 - one of the most successful jazz albums ever made. In September, guitarist Jim Hall, as well as Percy Heath and Connie Kay of the Modern Jazz Quartet joined Desmond for his second solo outing, producing another example of the golden age of laid-back, cool, elegant, swinging jazz. The quartet consistently and unwaveringly performs the hits of the era, which include MJQ numbers and standards, but the CD reissue also includes a Desmond composition. The alto saxophone is lilting and flattering, seductive and reassuring. That's why it was voted number one again in Playboy magazine that year, as the album title suggests. As many of the series’ regulars will have guessed, Árpád Dennert will evoke the sound of one of the saxophone’s unforgettable masters with the MAO's rhythm section.
Table reservations are automatically added during ticket purchase.
Please note that if you purchase an odd number of seats, you might have to share the table with others, especially if the concert is sold out.
For the best dining experience please arrive around 7pm.
We hold reservations until 8pm.
For more information, please call +36 1 216 7894
Our offer
There are evenings when our Opera House cannot perform because rehearsals are ongoing on stage until the evening. There are audience members who can only afford to hear their favourite pieces with a discount. And there are works that, although very popular, cannot be staged every season due to the congestion of productions.
“I've captured a terrific storm of elements and of hearts which gradually calms to Brünnhilde's magic sleep,” Wagner on the score of Die Walküre, in a letter to Ferenc Liszt. Following on the heels of the introductory Das Rheingold, this opera about the tragic love between two of Wotan's children constitutes the start of the more tightly drawn dramatic trilogy. Once again, the laws of the gods clash: can paternal love save a lad who has violated the sanctity of marriage?
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