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Last event date: Monday, September 26 2022 7:30PM
Every year it is a great event when Hungary’s first symphony orchestra, the OPERA Orchestra performs for the first time between the walls of a brick-and-mortar theatre in the new season, after the summer break and the special open-air tasks of the summer. Our aim is to increasingly show our audiences that our orchestral performances will be built around three main features that we wish to use in order to clearly differentiate the orchestra and the institution from the multitude of excellent programmes in Budapest. First: we wish to provide concert-goers a visual (we like to say a “multidisciplinary”) experience worthy of the OPERA, including with the use of lighting effects, projection, and other related arts. Second: OPERA Orchestra concerts will always include opera overtures, as we understand and play these excellent works best, and will also include opera songs or other works requiring singers in addition to the symphony orchestra. Third: The best members of the OPERA Orchestra should always be provided a role as solo performers.
Liszt: Prometheus
Miklós Kocsár: Concerto Lirico
Hollós: Birth of a Myth – world premiere
Liszt: Tasso
Conductor: Balázs Kocsár
Featuring: Máté Szűcs (viola) and the Hungarian State Opera Orchestra (orchestra director Gergely Popa)
Hosted by: Melitta Gyüdi
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Jenő Ádám, a student of Kodály’s and perhaps his greatest contemporary admirer, was also the one who structured and developed his pedagogical method: his Christmas one-act was the first work at the Opera House, which placed the pure Hungarian folk song on the same stage as the works of the great figures of classical music history. On Christmas 1931, Hungarian Christmas premiered with the theatre's greatest singers, conducted by the composer.
While the Fountain of Tears bubbles before him, Giray, khan of the Tatars, is lost in brooding. Just as the flow from the marble fount cannot be exhausted, his own sorrow will never diminish, either. The story of the Fountain of Bakhchisarai is set in motion by a romance recounting the reason for the khan's gloom.
Carl Orff CARMINA BURANA Scenic cantata in the original languages, with Hungarian, English, and same-language subtitles
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