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“So many grandly constructed and amazingly nuanced scenes! Full of ambivalences, the initial kinship of the three female characters and the antagonism growing out of the insolubilities of life – paradox fusing into complexity. Flung from one perspective to the next, we can only agree with Klytämnestra: Was die Wahrheit ist, das bringt kein Mensch heraus: what the truth is, no man will ever unravel,” wrote Géza Fodor of Balázs Kovalik's production.
Richard Strauss wrote an overwhelming one-act masterpiece to Hofmannsthal's libretto, an opera of feminine tragedy. It is a faithful adaptation of the Greek tragedy, pitting reconciliation, revenge and madness stoked by a troubled conscience one against the other.


Levente Szörényi – János Bródy STEPHEN, THE KING Rock-opera production in two parts, in Hungarian, with English surtitles

Sir Kenneth MacMillan / Franz Liszt / John Lanchbery: MAYERLING Ballet in three acts

Opera in three parts, four acts, in Italian, with Hungarian and English subtitles

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