Program


Carmen

Carmen

Georges Bizet
CARMEN
Opera in two parts, four acts, in French, with Hungarian and English surtitles

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Last event date: Sunday, March 12 2023 6:00PM

The productions by the Catalan director Calixto Bieito, the “Quentin Tarantino of the opera stage”, cut incisively into the reality of their stories, making them shockingly provocative. And what work would suit this directing style better – with its similarly crazed passions and emotions – than Georges Bizet’s French opera Carmen? The director has transplanted this opera set in 19th-century Seville to post-Franco Spain, where he depicts a savage and cruel world with a high degree of realism – and not a hint of the clichéd flamenco of folklore. Bieito’s production has been staged all over the world, now it is coming to Hungary for everyone to enjoy here.

Authors
Libretto after the novel of the same title by Prosper Mérimée by: Henri Meilhac | Halévy Ludovic
Director: Calixto Bieito
Set designer: Flores Tarres Ildefonso
Costume designer: Mercé Paloma
Assistant director: Lucía Fernández Astigarraga
Hungarian surtitles: Judit Kenesey
English surtitles: Arthur Roger Crane
Head of the Children's Chorus: Nikolett Hajzer
Chorus director: Gábor Csiki
Featuring: Hungarian State Opera Orchestra and Chorus
 
Cast
Conductor: Domonkos Héja
Carmen: Andrea Szántó
Don José: Boldizsár László
Escamillo: Gábor Bretz
Dancaïre: Attila Erdős
Remendado: János Szerekován
Zuniga: István Rácz
Moralès: Attila Dobák
Micaëla: Lilla Horti
Frasquita: Ildikó Megyimórecz
Mercédès: Melinda Heiter

Our offer


Please note that the auditorium is closed for visits during rehearsals. Guided tours are not available during performances.

A century ago, the world first encountered this remarkable opus, a work that soon became one of the cornerstones of twentieth-century musical innovation. Premiered in 1926, the singspiel is a milestone in Hungarian music history: its composer, Zoltán Kodály, fulfilled his aspiration to elevate Hungarian folk song of ancient origin to the same status as classical music, by virtue of its equivalent values, placing it on the stage of the nation’s Opera House.

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