Lovers of Ancona
About the Lovers of Ancona
The spot is a little square of a town on the Adriatic coast in the 70’s where happens what has to be happen…In that cosy Italian town live Don Tomao, the elderly but in love affairs always up-to-date amoroso raising his young daughter with a slight speech defect on his own, his loose chambermaid, a lonely guest house owner in his neighbourhood and a confectioner serving the worst coffee in the area and dreaming about having an own restaurant.
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Last event date: Thursday, May 03 2012 7:00PM
And we haven’t said a word about the others turning up: the travelling musician with disadvantaged background, the millionaire weary of life, the wise and holy man who has tender heart under the rough tunic. And there is the fiery Hungarian girl who is trying to find a father for her child to be born in this pleasant Italian countryside…
The Lovers of Ancona is a lively, hilarious, gently spicy, witty, musical winking at the Italian hits of the 70’s. Love, hit-songs, gigs, dance, a pinch of eroticism, humour, laughs and happy end.
Katalin Vajda - Péter Valló - Péter Fábri
LOVERS OF ANCONA
Musical Comedy in two Acts
Written by Katalin Vajda based on the idea of Péter Valló
Lyrics: Péter Fábri
Tomao Nicomaco, citizen of Ancona GÁBOR SZIRTES Jászai Prize Holder
Lucia, his daughter GABRIELLA SZAKSZ
Luigi del Soro, travelling musician LÁSZLÓ KERESZTESI
Drusilla, girl of Rome BERNADETT SZIRBIK
Lucrezio, university student BALÁZS CHAJNÓCZKI
Viktória, Hungarian girl DÓRA JANCSÓ
Giovanni, confectioner SÁNDOR TAMÁS MOLNÁR
Dorina, Tomao’s housekeeper ILDIKÓ SERES
Agnese, owner of the guest house ANDREA VARGA
Stage Design: RÓBERT PERLAKI
Costume: MARA BOZÓKI
Choreographer: ATTILA KOZMA
Musical Director: ZSOLT REGŐS
Coach: ZSUZSA VARGA
Prompter: ÉVA BALÁZS
Stage Manager: PÁL LICHTENSTEIN
Assistant: PÁL GRIBOVSZKY
Director: KÁROLY KOROGNAI
Duration (including 1 interval) 195 minutes
Opening:
6 July 2006 (Summer Theatre)
17 November 2006 (Chamber Theatre)
Our offer
A century ago, the world first encountered this remarkable opus, a work that soon became one of the cornerstones of twentieth-century musical innovation. Premiered in 1926, the singspiel is a milestone in Hungarian music history: its composer, Zoltán Kodály, fulfilled his aspiration to elevate Hungarian folk song of ancient origin to the same status as classical music, by virtue of its equivalent values, placing it on the stage of the nation’s Opera House.
There are evenings when our Opera House cannot perform because rehearsals are ongoing on stage until the evening. There are audience members who can only afford to hear their favourite pieces with a discount. And there are works that, although very popular, cannot be staged every season due to the congestion of productions.
Henry Purcell’s epic masterpiece, Dido and Aeneas has to do with the Trojan War. But what is even more important than the historical background of this hour-long little gem is love – as Dóra Barta, the director of the production highlights it, “Humanity has long known that if there is something you can die of, Love is certainly such a thing.
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