Lucia di Lammermoor
Gaetano Donizetti
Lucia di Lammermoor
Opera in two acts in Italian with Hungarian, English and Italian surtitles
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Last event date: Sunday, March 08 2026 11:00AM
Lucia di Lammermoor is the very model of the Italian style of its era: the perfect embodiment of both the period preceding Bellini and Verdi and the melodic and sentimental Italian bel canto opera. Of Donizetti's entire humongous 67-opera oeuvre, this is perhaps the one that occupies the most important position: although it is his comic operas that are played most often, the great humorist distilled into this opera the very best of his dramatic skill. His music, just like the libretto by Cammarano, superbly reflects the passion and unearthly atmosphere of The Bride of Lammermoor, the Walter Scott novel that it is based on. An ancient feud between two families propels this love story, which has been a constant repertoire piece at opera houses ever since it was written.
The drama of Lucia, who eventually pays for the decisions she is forced to make with the loss of her sanity, will be presented at the Opera House in a production directed by Máté Szabó.
Composer: Gaetano Donizetti
Librettist: Salvadore Cammarano
Director: Máté Szabó
Set designer: Balázs Cziegler
Costume designer: Ildi Tihanyi
Choreographer: Csaba Sebestyén
Dramaturg, Hungarian translation by: Eszter Orbán
English translation by: Arthur Roger Crane
Chorus director: Gábor Csiki
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A century ago, the world first encountered this remarkable opus, a work that soon became one of the cornerstones of twentieth-century musical innovation. Premiered in 1926, the singspiel is a milestone in Hungarian music history: its composer, Zoltán Kodály, fulfilled his aspiration to elevate Hungarian folk song of ancient origin to the same status as classical music, by virtue of its equivalent values, placing it on the stage of the nation’s Opera House.
Bartók Béla’s two highly influential stage works explore the dynamics of the relationship between man and woman and the deeper layers of their personalities, as presented by creators who, through a fusion of tradition and innovation, reveal the possibilities inherent in these works for 21st-century audiences.
Giuseppe Verdi LA TRAVIATA Opera in two parts, three acts, in Italian, with Hungarian, English, and Italian subtitles
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